Red is the robot I bought for my best friend but decided to keep for myself.
Gabrielle Zevin has published six novels. Her debut, Margarettown, was a selection of the Barnes & Noble Discover Great New Writers program. The Hole We’re In was on Entertainment Weekly's Must List and was a New York Times Editor’s Choice. Entertainment Weekly wrote, "Every day newspaper articles chronicle families battered by the recession, circling the drain in unemployment and debt or scraping by with minimum-wage jobs. But no novel has truly captured that struggle until now." Publishers Weekly called the novel "a Corrections for our recessionary times."
Of all her books, she is probably best known for the young adult novel Elsewhere. Elsewhere, an American Library Association Notable Children’s Book, was nominated for a Quill Award and received the Borders Original Voices Award. The book has been translated into over twenty languages. Of Elsewhere, the New York Times Book Review wrote, “Every so often a book comes along with a premise so fresh and arresting it seems to exist in a category all its own... Elsewhere, by Gabrielle Zevin, is such a book.”
She is the screenwriter of Conversations with Other Women (Helena Bonham Carter, Aaron Eckhart) for which she received an Independent Spirit Award Nomination. In 2009, she and director Hans Canosa adapted her novel Memoirs of a Teenage Amnesiac (ALA Best Books for Young Adults) into the Japanese film, Dareka ga Watashi ni Kiss wo Shita. She has also written for the New York Times Book Review and NPR’s All Things Considered. She began her writing career at age fourteen as a music critic for the Fort Lauderdale Sun-Sentinel.
Zevin is a graduate of Harvard University. After many years on Manhattan’s Upper West Side, she recently moved to Silver Lake, Los Angeles.
Posts tagged monday
Red is the robot I bought for my best friend but decided to keep for myself.
It has been nine years since I wrote Elsewhere and seven years since its publication. Below, you will find a few ways things have changed:
- In 2005, when Elsewhere was published, there was no Facebook.
- No Twitter either. No Instagram, Tumblr, Pinterest, Goodreads or anything else. YouTube had just come online the prior February.
- I didn’t have a website. If you wanted to send me an e-mail, you had to know someone who knew me. Like, personally.
- Most readers sent me letters. Bonafide paper letters.
- I didn’t have a blog.
- The book was the lead title for what was then Farrar Staus Giroux BYR. There was no pre-tour, book tour, blog tour or giveaways.
- It was a big deal that the ARC was going to have COLOR art on the front.
- I did not go to BEA, ALA, Comic Con or anywhere else. After the book started to do well — and for the record, it did quite well — I went to the Southern Festival of Books.
- My publisher DID make a fancy press kit folder. The folder also had color art on it.
- I was very fond of my publicist Sabeth Albert. She couldn’t have been gentler with me. Jeanne McDermott, whose exact job title I don’t remember, was also a wise and calming presence. Sabeth is no longer in publishing. Jeanne is well on her way to becoming a librarian.
- No one at my publisher had a job that specifically involved online promotion and social media.
- I loved my editor, Janine O’ Malley. Much of what I know about the craft of writing, I learned from her. One of her big books this fall is Crewel by Gennifer Albin.
- Janine’s office didn’t have any windows back then though it did have a scary-looking pipe that ran through the middle. I think her “office” might have actually been a storage closet. She is a senior editor now with a very nice office.
- Farrar Straus Giroux was in Union Square. The office had a cat. I do not know who took care of the cat nor do I know what became of the cat when they moved.
- I was supposed to go on NPR to promote the book. Hurricane Katrina hit so my appearance was (sensibly though disappointingly) cancelled.
- Most of what happened to promote a book happened behind the scenes. This author, at least, wasn’t too involved. I did not write essays. I did not host contests. I did not provide additional material.
- While I remember that much less (or at least much differently) was done to promote my book than a comparably big title these days, what I also remember was the feeling that my publisher was a family.
- When the book came out, everyone came uptown to see me read at the Corner Bookstore. For no particular reason, I was nervous. There was wine, fruit and cheese. After, I went out to dinner with my my best friend, my boyfriend, my editor and her then boyfriend, editor Wesley Adams.
- Tim Ditlow and Listening Library, who recorded the audiobook, had me down to their studios in midtown to listen to the recording and drink tea. Tea drinking occasions are less common in publishing than you’d think.
- A lot of what happened to promote a title went on behind the scenes without any involvement or input from the author.
- The only thing I had to do on pub day was pick out a dress to wear to my book party.
- My dress came from Filene’s Basement, which no longer exists.
- I did not know a SINGLE author when my book was published.
- The only blurb we had was from Printz-finalist Carolyn Mackler (most recently Tangled). I didn’t know her at the time. She would become a good friend. For a couple of years, we had a lark keeping this (irregularly updated, probably ill-conceived) blog together. Don’t blame her; it was my idea.
- What Elsewhere did have was great independent and chain bookstore support. My book happened not because I was charming online, but because key book people really supported it. This wasn’t random — a lot of what my publisher did was painstakingly and deliberately making sure that the book ended up in all the right hands. Jeanne McDermott did fantastic librarian and educator outreach, too.
- Elsewhere beat Looking for Alaska and Twilight to win the Borders Original Voices Award. There is no Borders Bookstore anymore. I would wager that more people have heard of the other two writers than me. (For the record, I liked both those books and their authors very much.)
- I did not receive any correspondence from transgendered teenagers. Now, I hear from them all the time. They want to know what happens to the transgendered in ELSEWHERE.
- Old media mattered. The thing that really took Elsewhere to the next level was a superb review in the New York Times Book Review. The review was written by Elizabeth Spires, a well-known children’s book writer. At that time, the section was edited by the whip smart Julie Just. The other review that was really key was Jennifer Mattson’s in Booklist. I believe Julie Just and Jennifer Mattson are both on the agent side of the business now.
- My agent at the time, Jonathan Pecarsky, is now in advertising.
- Everyone wasn’t nice! People used to hang out on message boards like adbooks where they felt free to be incredibly critical. The agent Barry Goldblatt wrote a scathing tract on what he considered to be the “flaws” in the book. For better or worse, I doubt you would find such an established agent doing that today.
- The first bonafide young person to read it, I believe, was Wesley Adams’ eleven year-old daughter. I think she liked Elsewhere but preferred Memoirs of a Teenage Amnesiac. She is now in college, and her father is now Janine’s husband. (Last year, Wes edited Jack Gantos’ Newbery award-winning Dead End in Norvelt.)
- The first reader at Farrar Straus Giroux was Lisa Greenwald, who I believe was an intern at FSG and an MFA student at the New School at the time. Lisa is now the author of several, adorable middle grade fiction titles (My Life in Pink and Green) and a librarian at the Birch Wathen School.
- Things are different now, of course. I often feel that my skills as a writer were better suited to a pre-social netowrked world. I don’t feel like I can write as well or as deeply when I’m onilne. However, it is necessary to be online to promote your books. These positions often seem hopelessly irresolvable to me.
- What is the same is the fact that the people I work with still believe in what they are doing — delivering readers stories that will challenge them and that they will love. I still believe in this, too.
Thanks to all who read Elsewhere and the thousands of readers who have written me to tell me what the book has meant to them over the last seven years.
(Monday Nostalgia No. 3)
“No. I said, ‘What kind of bird are you?’”
Monday Obsessions, no. 6: Moonrise Kingdom makes me want to kiss someone.
monday obsessions no. 4: The Imperfectionists by Tom Rachman is just plain wonderful.
monday obsessions no. 3: Another Earth. Loved the writing and the performances in this 2011 Sundance winner, which you can now see on DVD, etc.
Monday Nostalgia: Books used to be prettier.
The Lion, The Witch and The Wardrobe
C.S. Lewis. New York: The Macmillan Company, 1950.
First American edition, Custom designer leather binding. A fine copy.
Stated “First Printing” of the First American edition of this classic story for children. A custom designed binding, finely bound in full leather by Green Dragon Bindery. With marbled endpapers and portions of the original dust jacket bound in. Pages bright and clean with edges gold gilded. Titles to spine gilt. A beautiful production, with custom illustration engraved in cognac-brown leather, intended to evoke the image of the wardrobe in an early wood cabinet motif - with the witch and lion on the doors. Design plate included.
Two quotes I like from Emily Eakin’s New Yorker article about the Tacita Dean film/installation at the Tate Modern:
“All the things I’m attracted to are about to disappear,” she likes to say.
“For a long while almost everyone will continue to say ‘film’ when they are actually referring to something else,” Alexander Horwath, the director of the Austrian Film Museum, noted.
Photo Credit: Sarah Lee for the Guardian
I’ve been meaning to put this up for a while. I think this rejected jacket for THE IMPERFECTIONISTS is perfection and totally stet-worthy.
(via the NY Times super fun gallery of Book Covers That Got Away )
“and then cathy showed up and we hung out,
trading swigs from the bottle all bitter and clean,
locking eyes, holding hands,
twin high maintenance machines.”
RIP Lincoln Square B&N